Anne Hathaway Leads a Red Carpet Double Life

Anne Hathaway is experiencing a promotional season that might be far too busy for an ordinary mortal. On one aspect is the The Devil Wears Prada 2 world tour, and on the opposite is the premiere of Mother Mary. Two movies, two aesthetic universes, and most significantly, two wardrobes which have clearly by no means spoken to one another.

For her return to the runway ecosystem, Hathaway is taking part in absolutely the glamor card: sculpted clothes, strong colours, textbook trend silhouettes. In quick, every part you’d anticipate from somebody who’s formally returning to the Miranda Priestly orbit.

But then you definately come Mother Mary, and the temper adjustments as if somebody had dimmed the lights within the theater with out warning. Here Hathaway performs a pop star in disaster, busy mending her relationship together with her former costume designer and finest pal, performed by Michaela Coel, on the eve of a comeback that does not precisely promise levity. The movie is described as a psychological melodrama with virtually supernatural overtones, suspended between musical backstage, ghost story, and a poisonous relationship between two good ladies who know one another too properly. Even the wardrobe follows the emotional plot: a little thriller and a little goth subculture.