Could Thrash Really Happen? Here’s What Happens at the End of the New Shark Thriller

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A pregnant lady trapped in a automotive as floodwaters rise round her. An agoraphobic younger lady watching from her window as her city vanishes beneath the waves. A trio of foster siblings stranded on counter tops as bull sharks swim via their flooded residence.

These pictures are from the nightmare of Thrash, writer-director Tommy Wirkola’s new movie, now streaming on Netflix. For Phoebe Dynevor, who performs the pregnant Lisa, Thrash had a easy pitch. “On set, we joked that it’s the longest day ever for Lisa,” Dynevor instructed Netflix. “She’s already had the whole day at work. She’s four days over her delivery date. She’s heavy and wants to get the baby out. And then the storm starts.” The sharks are shut behind.

Produced by Don’t Look Up and The Big Short director Adam McKay, Thrash is not only a shark film; it is also a catastrophe movie about our altering local weather. “Tommy had this idea,” producer Kevin Messick tells Tudum. “He knew that McKay loves shark movies, and at some point, we were going to make one. And even then, several years ago, he was like, ‘What if we combine some of these things that are happening with the weather, with storms, with a shark movie?’ ”

SW Thrash centers on a coastal South Carolina town that’s hit by massive category five Hurricane Henry, and flooded to the point of not just water destruction, but shark attacks. How realistic is that? Closer than you might think. Read on to learn more about the science behind Thrash —and how its characters survive the hunt.

Could a flood really bring sharks along with it?

The short answer? Yes, absolutely. When Wirkola first pitched Thrash to McKay and his HyperObject Industries production company, the concept seemed far-fetched. “What seemed like a heightened premise when Tommy pitched it to us has now become much more of a reality,” McKay tells Tudum. “You noticed down in Australia, they’d torrential, historic, climate-fueled floods, and the floods kicked a bunch of soiled water into the ocean. Bull sharks love soiled water to hunt. So they had four shark attacks in a 48-hour interval as a result of of the turgid water.”

For its central location, Thrash selected Annieville, a fictional city in South Carolina. “It’s the right combination for a strong hurricane making landfall, and also having a lot of sharks and a lot of estuaries that feed inland,” National Weather Service meteorologist Joe Merchant, who consulted on the movie, tells Tudum.

Of course, Thrash provides a bit of a sweetener for its horde of fishy predators. “Our twist is that there’s a meatpacking plant in town, with a truck driver and a truck full of blood that’s forced to work on a storm day,” Messick says. In different phrases, a recipe for catastrophe.

How shortly would this city actually flood?

When the levees round Annieville break, the city floods inside minutes. “A lot of our infrastructure is built with the idea that the climate is static,” local weather scientist Chris Gloninger, one other advisor on the movie, tells Tudum. “When our first infrastructure was installed in some of our oldest cities, it was designed to withstand a steady, stable climate, and that just simply isn’t the case. It’s a moving target now. So not only is it old and aging, you’re dealing with storms that can no longer fall in that threshold.”

In the movie, Hurricane Henry is a storm so huge that it could be thought-about Category 6 — if the scale went that prime. “The argument has been made that there should be a Category 6 added to that scale because the Category 5 storm is open-ended, and the wind damage relationship… goes up exponentially,” Gloninger says.

To movie the flood, the manufacturing developed a artful answer: quite than flooding the set to larger ranges, manufacturing designer David Ingram recommended a system of interlocking units. “As the story progresses and the floodwaters rise, we had a crane come in and remove the first level of the buildings,” Messick says. “And then as the story progresses, we remove the second level of the building, and then by the time you’re at the end of the movie, it’s the rooftop.”

The identical ingenuity was utilized to the scene the place Lisa, trapped in Dakota’s (Whitney Peak) bed room, goes into labor as her mattress floats nearer to the ceiling. “We built that bedroom set on an interior stage, and then we lowered it into the water,” Messick says. “So the action of the bed and all the furniture floating to the ceiling is all happening for real, but it’s because we’ve built this set that had these big chains and pulleys, and it’s being dropped into an indoor tank.”

Are sharks actually drawn to electrical currents?

Yes. Sharks hunt by sensing the electrical fields emitted by their prey. So when Dakota distracts the sharks swimming round her residence with a floating electrical toothbrush, it is a completely efficient plan.

Likewise, when the Olsen foster siblings splash round a jury-rigged bomb made up of T-bone steaks and dynamite, sharks are certain to shut in. The reverse is true when Dakota’s uncle Dale (Djimon Hounsou) makes use of a taser to clear the space of ​​bull sharks. “They can sense an AA battery from a thousand miles away“,” Messick tells Tudum. “They’re not afraid of anything other than bigger sharks and electrical currents.”

Unfortunately for them, a bigger shark is on the way.

Could a great white really kill a bull shark?

Yes, without question. While most of the threat in Thrash comes from a school of prowling bull sharks (who are known to live in shallow waters), the film makes room for a hero shark of sorts: “Nellie,” the nice white that Dale and his companions have been monitoring. As Lisa lastly offers delivery, she turns into the goal of the bull sharks (maybe not take away what her mom had in thoughts when she recommended a water delivery). Lisa fends one shark off with a chunk of wooden, and Dakota helps from a distance with a speargun, however as the pair attain Dale’s boat, the sharks are available in for the kill.

Enter Nellie. The pregnant nice white assaults, saving Lisa from the jaws of a bull shark. “Nellie, the great white shark, becomes a bit of a good guy in the movie,” McKay says. “I told Tommy, “I’ve definitely never seen that in a shark movie before.”

“Nellie is our protector,” Peak instructed Netflix. “If it wasn’t for her, Dakota and Lisa might have been no more. In that moment, towards the end of the film, when Lisa and Dakota are in the water, there’s nothing left. We have no cards left to play, and Nellie saves the day.”

All’s properly that ends properly — till one other storm seems on the radar. “The movie lives in a reality that reflects the world that we’re in right now,” Messick says. “Whether it’s weather, whether it’s rapidly intensifying storms.” Hopefully, our heroes can attain secure harbor earlier than the subsequent storm hits.

Thrash is now streaming on Netflix.