“The Christophers”: A Review of Steven Soderbergh’s New Drama
Once Lori enters Julian’s residence, the movie springs to life. So does Soderbergh’s digicam, which begins sniffing and roving in regards to the area like a canine unleashed. Our curiosity is woke up by the meticulous muddle of Antonia Lowe’s manufacturing design—partitions coated with framed portraits and newspapers, cabinets of knickknacks, spatters of paint in…